Jeremy Chua, Lavender Chang, John Clang Reteam For ‘Absent Smile’ & More Trending News

 

Prolific Singaporean producer Jeremy Chua and filmmakers John Clang and Lavender Chang are reuniting after “A Love Unknown” (2020), which Clang directed and Chang shot. This time round, they’ve teamed for “Absent Smile,” co-directed by Chang and Clang, which is world premiering on the Singapore International Film Festival.

Clang is predicated in New York and visits his dad and mom in Singapore intermittently. “Absent Smile” is a doc of Clang’s dad and mom and their blended emotions of longing but help for his or her son, utilizing the format of household portraiture augmented with digital means.

“Aging and separation are common occurrences that many are going through in our time. It is a theme that is close to our hearts that we may also find ourselves avoiding bringing it up. While modern technology seems to help to caress our longings for our loved ones, it also fuels the reasoning for the prolonged absence. However, this absence from our loved ones marks a duration of time that is irretrievably lost forever. In this film, we attempt to capture a single day of the elderly couple with continuous observation, hoping to capture the nuance and the underlying dynamic in their everyday life in the absence of their son,” Clang and Chang advised Variety.

The movie can also be knowledgeable by Clang’s artwork challenge “Being Together.”

” ‘Being Together’ was accomplished to showcase the diaspora scenario generally shared by many households and the way we adapt and make use of the expertise development, which displays our time.

“When Clang created that artwork then, he had already decided to do something with the footage 10 years later. Though he didn’t have a concrete idea of what he wanted to do, he knew he would like to see how the family had changed and aged a decade after the initial portrait session. So, the film is not about the art project ‘Being Together’ – it takes on a life of its own. We want to see the moment after the portrait session ends, where one continues their everyday life and in this case, a decade later,” Clang and Chang added.

Premiering in Singapore is necessary for the administrators. “This film includes many local families and it is a wonderful time capsule to bring them back to that portrait session. Many things may have changed since then, but the tight family value will remain. It will be a very meaningful experience for all of us,” Clang and Chang mentioned.

The movie was self-financed via the sale of Clang’s paintings by his long-time collaborator and producer, Elin Tew.

Chua mentioned: “I find their approach to documentary innovative and unexpected. Their filmmaking practice tackles complex observations of society through delicate portraits of unassuming characters shot and edited with an intimate handcrafted texture, and then juxtaposing meta or hybrid elements to create tension and new perspective in the montage. In this case, a narrative that does not reveal itself directly, told between two timelines about the aftermath of a family portrait where themes are arrived from subjective interpretation and introspection. I find it to be a poignant look at ageing, missing a loved one and how time passes in the contemporary age – themes that I think are trivialized by my generation.”

“Absent Smile” is yet one more addition to the burgeoning roster of Singaporean movies sure for worldwide recognition. “I think it reflects a time when filmmakers can find a voice of their own and are also more confident of their identity as Singaporeans. We have less history than our neighboring countries and so it is easy to be seen as the ‘shallow’ sibling in Southeast Asia. It takes time and courage to know that it is okay to just be who we are and that we do have something to share with the world,” Clang and Chang mentioned.

Chua added: “Perhaps there is a new generation of directors who dare to be more ambitious with feature length storytelling and have better access to information and opportunities about coproduction. The mindset has evolved to become more world savvy. On the contrary, this is why I find self-funded, artist-driven films like ‘Absent Smile’ to also be so precious. It’s almost rebelling against the typical structure and textbook of how to produce a film. And this is precisely the diversity that makes Singapore independent cinema rich and exciting.”

Chua is at present in submit manufacturing for 4 function movies whereas working in improvement with a brand new group of administrators – Rafael Manuel, Russell Morton and Liao Jiekai. Clang and Chang have began one other documentary movie about household, which is able to take a number of years to finish as it’s depending on the passage of time to form the narrative of the movie.

“Absent Smile” premieres Dec. 1.

Jeremy Chua, Lavender Chang, John Clang Reteam For ‘Absent Smile’

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Jeremy Chua, Lavender Chang, John Clang Reteam For ‘Absent Smile’

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Jeremy Chua, Lavender Chang, John Clang Reteam For ‘Absent Smile’

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